You see diamonds and trianglesĪnd circles and meanders. Period in Greek history and the style that isĪssociated with is geometric because the surface isĬovered with geometric motifs. This particular vase comes from an early It isĬovered, every inch of this, with decoration and that decoration is divided in two bands or registers. This vase so important, so extraordinary, is its decoration. Liquid was poured in the top as an offering for the deceased. And in fact theīottom of this vase is open and it's possible that Headstones to mark a gravesite but the Greeks used ceramic vessels. Normally when we think about ancient Greek vases, we think about containersįor wine or liquids but this ceramic pot hadĪ very different purpose. The shape of this vase makes it a crater and it was found at theĭipylon cemetery in Athens. Rather than being signs of hellenization in a foreign culture, Athenian eye cups - like all Greek vases - were brought into Etruria then integrated, manipulated, and even transformed to suit local needs and beliefs.Metropolitan Museum of Art looking at a gigantic clay pot. Tomb assemblages from Vulci and elsewhere reveal their multivalent significance: emblematic of banqueting in life and death, apotropaic entities, likely with ritual uses. The Etruscan consumers of eye cups made conscious choices regarding their purchase and usage. Workshops were clearly aware of their audiences at home and abroad and shifted production and distribution of vases to suit. Indeed, the earliest, largest, and highest-quality (to modern eyes) examples were exported to Etruria, where the symposion as the Athenians knew it did not exist. Although many eye cups have been found in Athens - namely on the Acropolis and mainly from late in the series - the majority come from funerary, sanctuary, and domestic contexts to the west and east. Such emphases, however, neglect chronology and distribution, which reveal the complexity of the pottery market in the late sixth and fifth centuries B.C.E. "Since the late 1970s, scholars have explored Athenian eye cups within the presumed context of the symposion, privileging a hypothetical Athenian viewer and themes of masking and play.
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